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Professional sound and stage production services.

News Flash

New Toy Box

 

NEW GEARS

Our latest arrival is a 32 Channel mixer sound board by Studio Master 
A lights galore:  8 more Par56 Cans from Leviston  and some Specialty effect lightings

 

can you see the mics on the sisters?

   they are using Point Source CO 5.

 

At Bard on the Bandstand we provided 22 wireless head sets to all the actors, the new technology and our expertise gave the actors a clear voice with no radio interference or noise, you can hear every word thru out the park

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We constantly upgrade and acquire the latest technology in to bring you the best sound.  

If you do it all yourself you will need a deposit and pay a higher mandatory insurance rate

or you can just do what you do best and we’ll take care of the rest.

  

 

Speakers

Qty available

Description

 

PS4LA

     9

210 Watt active 2 way speaker

  •  XLR in/ out - 1/4" link
  • Horn Coverage (H x V): 90º x 45º 
  • Trapezoidal & Monitor shape 
  • Integrated bar handles and standmount adaptor
  • 210 Watt Bi-amp
  • LOW output power: 150W RMS (EIAJ) 
  • HIGH output power: 60W RMS (EIAJ) 
  • Max SPL at 1m: 119.5dB SPL calculated 
  • Frequency response: 55Hz / 20kHz +/-10 dB 
  • Crossover frequency: 2250Hz - Processor 
  • Low frequency: 12" / 318mm, 2" voice coil 
  • High frequency: compression driver, 1" voice coil 
 
PS4LA $ 450

 PR SUB

 

2

Passive 400Watt sub woofers

Left-facing

HS6541

1

180 Watts active speaker

  • Master, treble and bass controls

  • Rated power: 180 Watts (RMS);

  • Impedance: 4 Ohms

  • Sensitivity: 97 dB (1W/1m);

  • Speaker Size: 15"

  • Frequency response: 55 Hz -- 18 kHz

  • Line inputs (2): 1/4", unbalanced, dual RCA jacks (summing L+R), XLR

  • Mic Input: Lo-Z, unbalanced, 1/4"-phone

  • AC power requirements: 110/220V 50/60 Hz switchable

 

HS6541  $300 each

Mac2.4 1  
  • 4 OHM RMS: 2 x 750W
  • 2 OHM RMS: 2 x 1400W
  • 8 OHM Bridge Mono: 1500W
  • 4 OHM Bridge Mono: 2500W
  • Binding post and speakon output connectors
  • XLR and 1/4" TRS inputs
  • Excellent sound quality and frequency response
  • High fidelity and low noise
    S/N Ratio: 100dB
    Damping Factor: >100 at 1kHz

$650

 

Mixers

Qty available

Description

 

EURORACK UB2442FX-PRO

1

Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio with 10 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps with:   130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs, Ultra-wide 60 dB gain range, Lowest possible distortion 0.0007% (20 Hz - 20 kHz) 

  • Integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER® presets including reverb, delay, chorus, compressor, tube distortion, vinylizer and more plus 1 kHz test tone generator
    Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all Mono channels

  •  Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment

  • 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels,  10 XLR Input, 4 Stereo.

  •  2 headphones outputs

  •  4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)

  • Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels

  •  4 subgroups with separate outputs for added routing flexibility

  •  4 multi-functional stereo aux returns with flexible routing

  •  Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs

  • Control room/phones outputs with multi-input source matrix

  •  Tape inputs assignable to main mix or control room/phones outputs

  • Switchable +48 V phantom power for condenser microphones

  •  SKB Road Case 

Trilogy 406

1

 

(32x4x2x1) 4 bus mixing console to the Trilogy mixing console range. The Trilogy 406 provides a full 32 XLR microphone input complement – (28 balanced XLR/RTS line mono channels, with four balanced XLR/RTS stereo line combo channels). Mono channels feature three band EQ with mid sweep, channel direct outputs, inserts, 100Hz high pass filter, 6 discreet pre/post selectable auxiliary sends, channel mute with LED status, signal present LED indicators, global PFL and solo-in-place, 48v global phantom power and 60mm faders.

The four sub-group outputs are balanced/unbalanced RTS and assign to the main left/right mix outputs via top panel switching. Individual ‘listen’ switches are provided on each sub-group as well. Four stereo returns – two with high and low EQ with assign to aux 5 & 6 buses, allow for effects returns and/or additional inputs. All four returns have individual level controls, individual PFL/AFL listen switches and assignments to group and/or the main stereo bus. Six individual RTS balanced/unbalanced master aux sends are provided -- each with it’s own individual listen bus.

 

Alto S-8

3

The 8 Input Desk Mixer is a powerful and portable console, suitable for a wide variety of applications. It features ultra-low noise discrete MIC preamps with +48v phantom power, and delivers extremely high headroom, offering more dynamic range.

  • 5 mic input channels with gold plated XLRs and balanced line inputs
  • 2 Stereo input channels with balanced TRS jacks
  • Ultra-low noise, discrete mic preamps
  • 48V phantom power
  • Two additional multifunction stereo line inputs
  • High headroom for greater dynamic range
  • Balanced inputs for highest signal integrity
  • Warm, natural 3-band channel EQ
  • Peak LEDs & switchable low-cut filter on each channel
  • 2 Aux sends per channel for external effects & monitoring
  • Balanced TRS outputs; balanced XLR outputs
  • Control room output
  • Headphone outputs

 

 

  


Microphones

Qty available

Description

 

  Hisonic

HSU8400

Headset

4

 

 

 

16

 

 

4 Channels

20 wireless headset (4 x 5 ) compact road case rack or single unit with 4 receivers

  • UHF system, 740.15 - 850.00 MHz professional frequency

  •  PLL Synthesized System

  •  Extended antennas

  •  16 selectable channel each

 

Our extended antenna system is how we equip 22 actors with headsets to walk freely around the stage without any radio interference, noises and cut off.

  •  Transmitter

  •  Frequency response: 40 Hz - 18 KHz

  •  Distortion< 0.5%

  •  Operating range> 200 feet

  •  Battery Life: 8 hours (typical) Battery indicator

  •  Omni directional condenser

HSU8400  

$400  (single unit, SKB case not included)

 

 

 

 

HSU232L

Lapel

handheld

headset

2

 

32 Channels True Diversity Wireless microphone
  • Two UHF Handheld microphones or body packs
  • 32 channels selectable to avoid any interference from other sources like TV or radio stations.
  • One aluminum  high quality carrying case

 

HSU232L or HSU232H

$ 300.00

 

HSU482L

HSU482H

 

  48 Channel Automatic Paring System
  • UHF system, 720.0 - 806.0 MHz professional frequency
  • Auto-Scan frequency pairing
  • Individual Squelch control for each channel
  • 48 Selectable Channels
  • PLL (Phase Loop Lock) Synthesized System
  • Long-range transmission, up to 300 feet
     

HSU482H or HSU482L

$ 250

 

EW100

EM100

Sk100

2

1440 tunable UHF frequencies, true diversity receiver.

1/4" jack output socket

Antenna extension

Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Transmitter and receiver with rugged metal housings
Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
 
 

CO 5

5
  • Element: Back Electret

  • Condenser Pattern: Omni-directional

  • Frequency: 40 Hz - 17kHz

  • Sensitivity: -67dB ± 3 dB (0dB = 1V/ microbar at 1kHz)

  • Maximum SPL: 125dB Output Impedance: 2,000 Ω ± 30% (at 1kHz)

  • Operating Voltage: 1.5V - 10VDC

  • Cable Length: 4 ft 2 in + connector

  • Net Weight: 0.6 oz Colors: Beige

  • Connector Types: TA4F, lockable 3.5mm, Hirose

$ 250

ATW - 202

2

Operating Frequencies VHF band, 169.505, 170.245, 171.905 MHz
Frequency Stability ?0.005%
Modulation Mode FM
Maximum Deviation ?15 kHz
Operating Range 200' minimum
Operating Temperature Range 40? F (4? C) to 110? F (43? C)
Frequency Response 80 Hz to 13 kHz

ATW-R200 Receiver
Receiving System Non-diversity, single-channel dual antenna system
Image Rejection 50 dB minimum
Signal-to-noise Ratio 80 dB at 10 kHz deviation (IEC-weighted), maximum modulation 15 kHz

Total Harmonic Distortion <=1% (10 kHz deviation at 1 kHz)

Shure SM58

3

The Shure SM58® unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement,
and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical
filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise

Shure SM57

1

The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.

Apex 185

2

For recording or directional live sound

Cardioid capsules are generally used for live sound reinforcement applications and recording applications where wide dynamic range and good off-axis rejection is required. The omni-directional capsules can be used where in the studio or for live recording where off-axis rejection isn't an issue, and the engineer wants to limit proximity effect or needs a wider non-directional pickup pattern

Apex 185/2

1

The CAD Drum Microphone Touring Kit includes
  • 1 KM212 Kick Mic
  • 2 TM211 Tom mics,
  • 1 SN210 Snare mic
  • carrying case.

$110

AKG D9000

2

The D 9000 dynamic mic is designed for instrumental/vocal performance. The wide frequency response is slightly boosted in the mid- and high-frequency ranges for a crisp instrumental sound and better vocal intelligibility.

For Good for backup vocals and pressure instruments like horns

ATM 41A

2

  • Field-proven performance for close-up vocals
  • Low-mass diaphragm and high-efficiency magnetic circuit
  • Tailored response provides natural, full-range reproduction
  • Excellent off-axis rejection for minimum feedback
  • Superior internal shock mounting

 

RODE

NT2

1

For Studio Recording

Large capsule with gold plated membranes

Ultra low noise, transformer- less circuitry

Omni and cardioids polar patterns

High pass filter switch

-10dB pad switch

Full frequency response

Gold plated output connector

Gold plated internal head pins

 


 

 

Accessories

Qty available

Description

 

Stage Gear

1

100ft   Snake

12 XLR

4 TRS ¼”

(main)

Zdirect

Passive Direct Box

3

Connect instrument, line, or speaker-level signals to a mixer or other balanced input through a high-performance audio isolation transformer. The high-impedance, single-ended 1/4” input is converted by the transformer into an isolated balanced low-impedance signal output.

SP 4x4

1  

ART S8

2

ART S8 8-Channel Balanced Mic Splitter

 

MDX1200 Dynamics Processor

Patch bay

 

 

 

 

 

 

 

1

 

 

 

 

 

 

Dual Channel Dynamics Processor

Compression

Limiter

Expander / Gate

 

CX3400 Crossover

1

The Behringer Super-X Pro CX3400 is a new, high-precision active frequency crossover enabling 2- or 3-way stereo or even 4-way mono operation with your sound systems.

Stage monitoring, hooking up  subwoofer

 

 

large product image

 

DSP1124P

 

1

 Feedback Destroyer Pro

 

 

MIC2200 Ultragain

1

Extremely low-noise, high-end discrete microphone/line preamp

2-channel microphone/line preamp with its warm tube sound

 

EQU231LED

-

1 2 octaves  31 band stereo EQ

ALESIS  MEQ 230

1 Dual Channel 30band EQ

Line Filter

1   apexac1.jpg

RX2H

1
  • Stereo Exciter/Imager/hush
  • Adds Sizzle to a Dull Amp
  •  

    DOD Compressor
    1 Stereo compressor

    Speaker stands

    Light stands

    9

    Aluminum speakers stand  6'

     

    Chrome Light stand with T bar 8'

    Mic Stands with boom

    25

     

    Mic Stand with boom

     

    Lighting

    Qty available

    Description

     

    4

    Par 64 can 500watts

    8 Par 56  300Watts

    Great Performance

    10 Par 38 150watts

     

    8

    Par 38 Can 175 watts

    2

    Par 45 can 125watts

    2
    • No duty Cycle! High velocity fan keeps the unit cool to run all night.
    • 3-position FX switch.
    • Circuit breaker (no need to change fuses).
    • Lamps: 2 x LL-FCS 24V, 150W.
    • Dimensions (LxWxH): 16.5” x 14.5” x 14.5” / 419x368x368mm.
    • Weight: 11 lbs / 5kgs.

     

    4 Comprises Four Scanners with 8 gobo’s with 8 dichroic colours, 4 x 100W lamps (A1/231 Supplied), 3 x 1M DMX link leads & 1 x PSC400 Pre-Programmed DMX controller.  

     

    1  

    DMX-40A DMX Controller

    1

    Universal DMX -512 controller

    Controls up to 12 – 16-channel intelligent lights

    30 banks of 8 scenes, 240 scenes in total

    192 DMX channels of control

    Beat-activation, tap sync, auto run

    6 sets of chases containing 240 scenes

    MIDI compatible

    Grab any fixture on the fly

     

    EliminatorED15

    2

    4 channel Dimmer pack

    Audio Mode

    Slave mode

    Auto Mode

    SONY

    1

    5 Dics CD changer

     

    Cable coverings

    4

    Rubber mats

     

    Testers

     

    Battery tester

    Cable tester