If you do it all yourself you will need a deposit and pay a
higher mandatory insurance rate
or you can just do what you do best and we’ll take care of
the rest.
Speakers
|
Qty available
|
Description
|
|

PS4LA
|
9
|
210 Watt active 2 way speaker
-
XLR in/ out - 1/4" link
-
Horn Coverage (H x V): 90º x 45º
-
Trapezoidal & Monitor shape
-
Integrated bar handles and standmount adaptor
-
210 Watt Bi-amp
-
LOW output power: 150W RMS (EIAJ)
-
HIGH output power: 60W RMS (EIAJ)
-
Max SPL at 1m: 119.5dB SPL calculated
-
Frequency response: 55Hz / 20kHz +/-10 dB
-
Crossover frequency: 2250Hz - Processor
-
Low frequency: 12" / 318mm, 2" voice coil
-
High frequency: compression driver, 1" voice coil
PS4LA $ 450
|

|
|

PR SUB
|
2
|
Passive
400Watt sub woofers |

|
HS6541
|
1
|
180 Watts active speaker
-
Master, treble and bass controls
-
Rated power: 180 Watts (RMS);
-
Impedance: 4 Ohms
-
Sensitivity: 97 dB (1W/1m);
-
Speaker Size: 15"
-
Frequency response: 55 Hz -- 18 kHz
-
Line inputs (2): 1/4", unbalanced, dual RCA
jacks (summing L+R), XLR
-
Mic Input: Lo-Z, unbalanced, 1/4"-phone
-
AC power requirements: 110/220V 50/60 Hz
switchable
HS6541 $300 each |

|
|
Mac2.4 |
1 |
- 4 OHM RMS: 2 x 750W
- 2 OHM RMS: 2 x 1400W
- 8 OHM Bridge Mono: 1500W
- 4 OHM Bridge Mono: 2500W
- Binding post and speakon output connectors
- XLR and 1/4" TRS inputs
- Excellent sound quality and frequency response
- High fidelity and low noise
S/N Ratio: 100dB
Damping Factor: >100 at 1kHz
$650 |
 |
Mixers
|
Qty available
|
Description
|
|

EURORACK UB2442FX-PRO
|
1
|
Ultra low-noise ULN
design, highest possible headroom, ultra-transparent audio with 10 new
state-of-the-art, studio-grade IMP “Invisible” Mic Preamps with: 130 dB
dynamic range for 24-bit, 192 kHz sampling rate inputs, Ultra-wide 60 dB
gain range, Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
-
Integrated 24-bit
digital stereo FX processor with 99 great-sounding VIRTUALIZER® presets
including reverb, delay, chorus, compressor, tube distortion, vinylizer
and more plus 1 kHz test tone generator
Effective, extremely musical 3-band EQ with semi-parametric mid band plus
switchable low-cut filter on all Mono channels
-
Channel
inserts and direct outputs on each mono channel plus main mix inserts for
flexible connection of outboard equipment
-
16 balanced high-headroom line inputs with dedicated gain controls on
stereo channels, 10 XLR Input, 4 Stereo.
-
2
headphones outputs
-
4
aux sends per channel: 2 pre/post fader switchable for monitoring/FX
applications, 2 post fader (for internal FX or as external send)
-
Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL
functions on all channels
-
4
subgroups with separate outputs for added routing flexibility
-
4
multi-functional stereo aux returns with flexible routing
-
Balanced
main mix outputs with TRS and gold-plated XLR connectors, separate control
room, headphones and stereo tape outputs
-
Control room/phones outputs with multi-input source matrix
-
Tape
inputs assignable to main mix or control room/phones outputs
-
Switchable +48 V phantom power for condenser microphones
-
SKB
Road Case
|

|

Trilogy 406
|
1
|
(32x4x2x1) 4 bus mixing console to the Trilogy mixing console range. The
Trilogy 406 provides a full 32 XLR microphone input complement – (28
balanced XLR/RTS line mono channels, with four balanced XLR/RTS stereo line
combo channels). Mono channels feature three band EQ with mid sweep, channel
direct outputs, inserts, 100Hz high pass filter, 6 discreet pre/post
selectable auxiliary sends, channel mute with LED status, signal present LED
indicators, global PFL and solo-in-place, 48v global phantom power and 60mm
faders.
The four sub-group outputs are balanced/unbalanced RTS and assign to the
main left/right mix outputs via top panel switching. Individual ‘listen’
switches are provided on each sub-group as well. Four stereo returns – two
with high and low EQ with assign to aux 5 & 6 buses, allow for effects
returns and/or additional inputs. All four returns have individual level
controls, individual PFL/AFL listen switches and assignments to group and/or
the main stereo bus. Six individual RTS balanced/unbalanced master aux sends
are provided -- each with it’s own individual listen bus.
|

|

Alto S-8
|
3
|
The 8 Input Desk Mixer is a powerful and portable console,
suitable for a wide variety of applications. It features ultra-low noise
discrete MIC preamps with +48v phantom power, and delivers extremely high
headroom, offering more dynamic range.
-
5 mic input channels
with gold plated XLRs and balanced line inputs
-
2 Stereo input channels
with balanced TRS jacks
-
Ultra-low noise,
discrete mic preamps
-
48V phantom power
-
Two additional
multifunction stereo line inputs
-
High headroom for
greater dynamic range
-
Balanced inputs for
highest signal integrity
-
Warm, natural 3-band
channel EQ
-
Peak LEDs & switchable
low-cut filter on each channel
-
2 Aux sends per channel
for external effects & monitoring
-
Balanced TRS outputs;
balanced XLR outputs
-
Control room output
-
Headphone outputs
|

|
Microphones
|
Qty available
|
Description
|
|
Hisonic
HSU8400
Headset
|
4
16
|
4 Channels
20 wireless headset (4 x 5
) compact road case rack or single unit with 4
receivers

Our extended antenna system
is how we equip 22 actors with headsets to walk freely around the stage
without any radio interference, noises and cut off.
-
Transmitter
-
Frequency response: 40 Hz - 18 KHz
-
Distortion< 0.5%
-
Operating range> 200 feet
-
Battery Life: 8 hours (typical)
Battery indicator
-
Omni directional condenser
HSU8400
$400 (single unit, SKB case
not included)
|


|
HSU232L
Lapel
handheld
headset
|
2 |
32 Channels True Diversity Wireless microphone
- Two UHF Handheld microphones or body packs
- 32 channels selectable to avoid any interference from other sources
like TV or radio stations.
- One aluminum high quality carrying case
HSU232L or HSU232H
$ 300.00
|

 |
HSU482L
HSU482H
|
|
48 Channel Automatic Paring System
- UHF system, 720.0 - 806.0 MHz professional
frequency
- Auto-Scan frequency pairing
- Individual Squelch control for each channel
- 48 Selectable Channels
- PLL (Phase Loop Lock) Synthesized System
- Long-range transmission, up to 300 feet
HSU482H or HSU482L
$ 250 |
 |

EW100
EM100
Sk100
|
2
|
1440 tunable UHF frequencies, true diversity receiver.
1/4" jack output socket
Antenna extension
Pilot tone squelch for eliminating RF interference when transmitter is
turned off
Automatic frequency scan feature searches for available frequencies
Transmitter and receiver with rugged metal housings
Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
|

|

CO 5
|
5 |
-
Element: Back Electret
-
Condenser Pattern:
Omni-directional
-
Frequency: 40 Hz - 17kHz
-
Sensitivity: -67dB ± 3 dB (0dB
= 1V/ microbar at 1kHz)
-
Maximum SPL: 125dB Output
Impedance: 2,000 Ω ± 30% (at 1kHz)
-
Operating Voltage: 1.5V - 10VDC
-
Cable Length: 4 ft 2 in +
connector
-
Net Weight: 0.6 oz Colors:
Beige
-
Connector Types: TA4F, lockable
3.5mm, Hirose
$ 250 |
 |

ATW - 202
|
2
|
Operating Frequencies VHF band,
169.505, 170.245, 171.905 MHz
Frequency Stability ?0.005%
Modulation Mode FM
Maximum Deviation ?15 kHz
Operating Range 200' minimum
Operating Temperature Range 40? F (4? C) to 110? F (43? C)
Frequency Response 80 Hz to 13 kHz
ATW-R200 Receiver
Receiving System Non-diversity, single-channel dual antenna system
Image Rejection 50 dB minimum
Signal-to-noise Ratio 80 dB at 10 kHz deviation (IEC-weighted), maximum
modulation 15 kHz
Total Harmonic Distortion <=1% (10 kHz deviation at 1 kHz) |

|
Shure SM58

|
3
|
The
Shure SM58® unidirectional (cardioid) dynamic vocal microphone is designed
for professional vocal use in live performance, sound reinforcement,
and studio recording. It has a tailored vocal response for a sound which is
a world standard for singing or speech. A highly effective, built-in
spherical
filter minimizes wind and breath "pop" noise. A cardioid pickup pattern
isolates the main sound source while minimizing unwanted background noise |

|
Shure SM57

|
1
|
The legendary Shure SM57
microphone is exceptional for musical instrument pickup and vocals. With its
bright, clean sound and contoured frequency response, the SM57 is ideal for
live sound reinforcement and recording. It has an extremely effective
cardioid pickup pattern which isolates the main sound source while
minimizing background noise. In the studio, it is excellent for recording
drums, guitar, and woodwinds. |

|
Apex 185

|
2
|
For recording or directional live sound
Cardioid capsules are generally used for live sound reinforcement
applications and recording applications where wide dynamic range and good
off-axis rejection is required. The omni-directional capsules can be used
where in the studio or for live recording where off-axis rejection isn't an
issue, and the engineer wants to limit proximity effect or needs a wider
non-directional pickup pattern |

|

|
1
|
The CAD Drum Microphone Touring Kit includes
- 1 KM212 Kick Mic
- 2 TM211 Tom mics,
- 1 SN210 Snare mic
- carrying case.
$110 |
 |

AKG D9000
|
2
|
The D 9000 dynamic mic is designed for
instrumental/vocal performance. The wide frequency response is slightly
boosted in the mid- and high-frequency ranges for a crisp instrumental sound
and better vocal intelligibility.
For Good for backup vocals and pressure
instruments like horns |

|

ATM 41A
|
2
|
-
Field-proven performance
for close-up vocals
-
Low-mass diaphragm and
high-efficiency magnetic circuit
-
Tailored response
provides natural, full-range reproduction
-
Excellent off-axis
rejection for minimum feedback
-
Superior internal shock
mounting
|

|
RODE
NT2
|
1
|
For Studio Recording
Large capsule with gold plated membranes
Ultra low noise, transformer- less circuitry
Omni and cardioids polar patterns
High pass filter switch
-10dB pad switch
Full frequency response
Gold plated output connector
Gold plated internal head pins
|

|
Accessories
|
Qty available
|
Description
|
|
Stage Gear
|
1
|
100ft Snake
12 XLR
4 TRS ¼” |

|

Zdirect
Passive Direct Box
|
3
|
Connect instrument, line, or
speaker-level signals to a mixer or other balanced input through a
high-performance audio isolation transformer. The high-impedance,
single-ended 1/4” input is converted by the transformer into an isolated
balanced low-impedance signal output. |

|
SP 4x4
|
1 |
|
 |

ART S8
|
2 |
ART S8 8-Channel
Balanced Mic Splitter
|
 |

MDX1200 Dynamics Processor
Patch bay
|
1
|
Dual Channel Dynamics Processor
Compression
Limiter
Expander / Gate
|


|
CX3400 Crossover
|
1
|
The Behringer Super-X Pro
CX3400 is a new, high-precision active frequency crossover enabling 2- or
3-way stereo or even 4-way mono operation with your sound systems.
Stage monitoring, hooking
up subwoofer
|

|
DSP1124P
|
1 |
Feedback
Destroyer Pro
|
 |
MIC2200 Ultragain
|
1
|
Extremely low-noise,
high-end discrete microphone/line preamp
2-channel microphone/line
preamp with its warm tube sound |

|

EQU231LED
-
|
1 |
2 octaves 31 band stereo EQ |
 |
ALESIS MEQ 230
|
1 |
Dual Channel 30band EQ |
 |
Line Filter
|
1 |
|
 |

RX2H
|
1 |
Stereo Exciter/Imager/hush
Adds Sizzle to a Dull Amp
|
 |
DOD Compressor
|
1 |
Stereo compressor |
 |
Speaker stands
Light stands
|
9
|
Aluminum speakers stand 6' Chrome Light stand with T bar 8' |

|
Mic Stands with boom
|
25
|
Mic Stand with boom |

|
|
Qty available
|
Description
|
|

|
4
|
Par 64 can 500watts |

|

|
8 |
Par 56 300Watts |
 |
Great Performance
|
10 |
Par 38 150watts |
 |
|
8
|
Par 38 Can 175 watts |

|

|
2
|
Par 45 can 125watts |

|

|
2 |
- No duty Cycle! High velocity fan keeps the unit cool to run all night.
- 3-position FX switch.
- Circuit breaker (no need to change fuses).
- Lamps: 2 x LL-FCS 24V, 150W.
- Dimensions (LxWxH): 16.5” x 14.5” x 14.5” / 419x368x368mm.
- Weight: 11 lbs / 5kgs.
|
  |

|
4 |
Comprises Four Scanners with 8 gobo’s with 8 dichroic
colours, 4 x 100W lamps (A1/231 Supplied), 3 x 1M DMX link
leads & 1 x PSC400 Pre-Programmed DMX controller. |
 |
|
1 |
|
 |

DMX-40A DMX Controller
|
1
|
Universal DMX -512
controller
Controls up to 12 –
16-channel intelligent lights
30 banks of 8 scenes,
240 scenes in total
192 DMX channels of
control
Beat-activation, tap
sync, auto run
6 sets of chases
containing 240 scenes
MIDI compatible
Grab any fixture on the
fly
|

|
EliminatorED15
|
2
|
4 channel Dimmer pack
Audio Mode
Slave mode
Auto Mode |

|
SONY
|
1
|
5 Dics CD changer |
|
Cable coverings
|
4
|
Rubber mats |
|
Testers
|
|
Battery tester
Cable tester |
|